Archive for Worship

Youthfest!

We are tickled pink (well, we’re extremely delighted) to be invited up to spend the day with new friends at St. Patrick’s Catholic Church in Norcross, GA this Saturday for YOUTHFEST 2012! The schedule looks like it’s going to be a high energy day of fun and discipleship.

 

A Musicians Greatest Tool…

I present to you the worlds greatest tool for a musician…

 

 

 

 

 

 

 

 

 

 

Everybody’s workin’ for the weekend…

In seventeen years of music ministry, my experience has been that music teams either rehearse on Tuesday or Wednesday nights, or just before mass on Sunday.

What did you have for lunch last Thursday?

I can’t remember either. I eat lunch every day.

We tend to have a set of songs for seasons that we will place in rotation for several weeks. If you rehearsed the song, isn’t it safe to say that you learned something, heard something, or corrected something? Did you write it down?

Just a few weeks ago, on Easter Sunday, our gathering song was “Mighty To Save”. The original key is “A”, but I feel that for my congregation and my voice that it is a little too high to sing so we play it in “G”. Our Easter arrangement was…

  • Intro
  • Chorus
  • Bridge
  • Chorus, with a modulation up to A
  • Chorus in A
  • Ending

Practice Makes Perfect?

We practices this transition four times.

Guess who didn’t write down the modulation to A? This guy.

Guess who went on autopilot and blew right through the keychange? Yep.

In case you’re wondering, the band stayed in G as well. Certainly, they wrote it down but didn’t hear the lift and stayed in G. Opportunity lost (the lift added alot to the prayer in that lyric).

The Good Stuff

For the record, I buy Ticonderoga Pencils. It says on their label that they are “The Worlds BEST PENCIL! I spring for the good stuff. Ergonomically superior, excellent lead (or graphite, or whatever the pencil stuff is), and a fabulous eraser.

 

How do you keep track of notes from rehearsals?

 

Stick It In Your Ear

Did you ever hear your parents or your doctor tell you to make sure you NEVER stick anything in your ear, other than a Q-Tip (and even with the Q-Tip, NEVER too far into your ear, right)? Yep, me too…

In August, I had a follow up with my Ear, Nose, and Throat doc. While I was there meeting with him, I inquired as to whether or not he could check my hearing. As a musician and producer of music, my ears are so important to me, and sometimes I don’t take adequate measures to protect them. He referred me to the audiologist in his office, and within 15 minutes she had me in the booth with a clicker in my hand doing the “can you hear the tone” test. Great news, my hearing is still within normal ranges. Sweet! As we were talking while she was writing up the results, she told me that as a musician, that I absolutely needed to be wearing In Ear Monitors (IEM’s). This sent me down the path of looking into the wide variety of IEM’s to choose from.

When shopping for IEM’s, there are two paths to the same end. Universal fit and custom molds. Both offer ambient noise reduction, quality audio, and both options offer a much better monitoring situation than a traditional floor wedge. The universal fit monitor is a less expensive way to get started in an IEM. Most manufacturers offer a few different size cushions or sleeves. I wasn’t in love with the Shure E3′s that my wife let me borrow. I had bought them for her air travel a few years ago, and they work well for that environment where you’re not moving around as much. I found that with all the different size sleeves, I still found them a bit loose and became frustrated with having them slipping out. This led me to start researching custom molds.

Custom mold IEM’s are just that, they are custom fit to your ear. I spent a great deal of time reading reviews for the different IEM Manufacturers. The most popular brands are J.H. Audio, Ultimate Ears, and Westone. I learned that the inventor of In Ear Monitoring was Jerry Harvey, who was touring with Van Halen back in the 80′s as their monitor engineer when he came up with the idea. He founded, and later sold his company called Ultimate Ears. He then created his new company doing the same thing, under the name J. H. Audio.

So, here’s the big question…how do you shop for something you have no experience with, and compare it to the competition with when you can’t try or test the product? As a sidebar, these manufacturers do have units that can be tested where they put their drivers into a universal fit sleeve. They can occasionally be found at music conferences, etc. but I had no occasions on my calendar to chance seeing one of their booths anywhere. Tough decision, so here is what I ended up doing. I reasoned that Jerry Harvey pioneered this whole path, and has been successful under both companies that he has formed. This led me to go with JH Audio. I found the recommended audiologist on their website, Dr. Maria Wynens and made an appointment. I made the decision to use Dr. Wynens instead of the audiologist that encouraged me to move into IEM’s based on the logic that If Dr. Wynens was listed on the JH Audio site as an expert in making ear molds, then certainly she has a great deal of experience in getting this done correctly. After all, imagine going through the expense of ordering molds made custom for you and having an issue with the fit. This isn’t something you can bring back. After arriving at Dr. Wynen’s office, she brought me back and explained the process to me. She had this miniature cotton balls on strings that she would place within millimeters of my eardrum, then pack my ear full of blue goo that would harden into cement. The kicker on this is that the entire time I would be sitting there, I was to keep a bite block between my teeth and was not allowed to swallow. Seems easy, eh? It takes the goo about 8-10 minutes to harden. Try this, take a popsicle stick and place it between your teeth for 10 minutes without moving it or swallowing for 10 minutes and report back in the comments section for this blog. I put in my bite block, and as she packed the goo into my ear, it felt like they were getting crammed full of cold clay mud, and then the world went completely silent. Dead silent, like hear your heartbeat and breathing kind of silent. Then she handed me a handful of paper towels and told me that drool overflowing down my face was natural and that it happens all the time. Stellar. I regret not having a photo to tell the tale with. 8.5 minutes later, she tested my cemented ears and pulled out the forms. After placing them in a box she asked me which manufacturer I was planning to go with and I let her know that I was down to JH Audio, but was still considering Westones. She told me that her husband had a set of Westones he got for travel listening and he was lukewarm about them, but every artist she has fit for JH Audio loved them. I don’t believe she would get a kickback for her endorsement, so that comment really sealed it up for me.

When I got home, I ordered my JH5 monitors. I had been obsessing about which model and which color from which manufacturer. The JH5′s are the entry model into custom molds, and they have one low and one high frequency driver. This was the original IEM design. I really wanted to jump up to the JH7′s which have two low drivers and one high, because as a multi-instrumentalist I play drums and keyboard, and it would be nice to have a more detailed low frequency response. However, budgets being what they are, and given the facts that I primarily will be using them for guitar and vocals, combined with the idea that moving into a custom mold will already be an exceptional listening experience, I purchased the JH5′s and absolutely LOVE them. I ordered them in trans black, because I had seen a photo of them on someone else’s blog. I wear my hair in a flat top, so given the fact that I am leading people in worship, I didn’t want to get a distracting color like ice blue or hot red with skulls on them.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I think I looked out into the driveway every 20 minutes looking for the Fedex truck. When they arrived, they were packed in an otter box for their safety, with vividly colored trimmings. They come with your name on the otter box for easy identification amongst the greater population of JH Audio customers that you’re sure to run into, and your initials on the monitors themselves. Because I have a prosperous physique, I also ordered the longer headphone cable length. They look great, and sound even better. I can’t imagine what the JH16′s could sound like! I paired the JH5′s with an Audio Technica M2M wireless ear rig. Reasonable quality for the price. I am a big believer in Shure gear, but they have a limited frequency entry model PSM200, and then the touring grade PSM900 that is priced out of the Stratosphere. I’m afraid that will have to wait until we are touring.

So, here’s the deal on what I’ve gotten by moving into IEM’s. My hearing is protected thanks to the 26 decibel reduction that the custom molds give me (providing I keep my headphone volume reasonable). I can hear crystal clear what I am playing and singing, and my live vocals have gotten much stronger. I am able to play full weekend retreats and leaving the weekend with my voice just as strong as when I arrived. Before, I had a terrible habit of trying to out sing the crowd and the PA which would result in me blowing my voice out. Airplane rides are beautiful too, after a polite hello to the people in my row, the JH5′s go in and musical goodness for hours on the ipod. No ear fatigue wearing them, because they were made to fit my ear canal! I haven’t found a downside yet.

Thank you Jerry, for a great product, and for enabling me to get better at my craft.

Linus has a blanket, you have one too…

This blog and website is a resource for church musicians. It is my hope that it provides useful insight into the practical matters of music ministry, a “how-to” site, if you will. I encourage you to share your thoughts and comments, and if you find the information here useful, that you share it with your teams, twitter tweeple, and facebook friends…

Growing up, we all spent time in front of the family television watching the great Peanuts holiday comics come to life. Classics like “It’s the Great Pumpkin Charlie Brown”, or, who could forget the loveable Linus van Pelt in “A Charlie Brown Christmas”. He confidently walks out onto the stage, requests “light’s please”, and then delivers my one of my favorite passages of scripture detailing the birth of Jesus. Go ahead and take a minute to relive this great moment…

Last weekend I was serving my parish on their yearly confirmation retreat. We brought a large lighting and audio rig to get the job done in a room of 125 people. There I was, guitar in hand, amps on, with an extremely bright intelligent light in my face. This very cool light completely blinded me and rendered my security blanket absolutely useless. My security blanket? A MUSIC STAND!

How many of us operate with a music stand? Let’s look at what this security blanket does to us as music ministers…

  • It is a mini wall between you and the people you are serving
  • It beckons the attention of our eye, thus taking our eyes off the people we are serving, the ministry team, and the room
  • It causes us to look down while we are singing/playing
  • It creates a distraction of page turning, and interrupts the flow of spontaneous worship
  • It looks unprofessional, and…
  • It’s one more thing to pack and carry (boo!)

In reality, by the time I am ready to lead a group of people with a particular song, I’ve already played the tune a few dozen times. Memorizing modern worship songs isn’t rocket science (I have a friend who is a rocket scientist, and we have discussed such matters). This morning I took a look at the CCLI Top 100 list and wasn’t a bit surprised to see that the first 10 songs are all 4 chord songs that repeat the same pattern over and over again. I wasn’t surprised because repetition is the intended delivery of this style of music. These are songs of prayer, so by repeating a chord structure or lyrical passage you are more easily engaging a group into deep worship. So let’s pick a song and dive in… (we will go right to number 1 – Chris Tomlin’s “How Great Is Our God”)…

 

 

 

 

 

 

The original key is C, but that key is a bit of a stretch for my vocal range! The key that works well for my parish is Bb. If I am leading a small group in adoration etc, I will lower further down to A to make it more welcoming for a small group. That being said, if I am leading the song in Bb the chord progression is [Bb-Gm7-Eb-F] or Capo 3 on the guitar and play [G-Em7-C-D] – over and over again. Repeat!

I can easily remember chord progressions. I just hear them and my hands follow where they need to be, kind of like rain man. Lyrics are tougher for me to remember, so I have developed a method of getting them memorized. I try to embed the first line of every pass into my mind instead of memorizing the entire verse. In other words, when my mind can recall the first line of a verse or chorus, my memory fills in the remainder of the verse as I sing. So, with this song I would commit to memory..

  • “The splendor of the King……”
  • “How great is our God…..”
  • “And age to age He stands……”
  • “Name above all names…..”

Now, all that being said, those of us that work in liturgy do not have the benefit of a working band that plays the same set of music, every single night, the exact same way. I recognize that if we work in liturgy, the songs on the plan this week are different than the songs from last week. However, your ministry team probably (hopefully) has a seasonal or common group of songs that the entire group knows well, and that your parishioners sing well. In reality, you probably have these songs memorized already. With these types of songs, make a strong effort to not use the chart on the stand, but instead be focused on leading the song and being plugged into what is happening in the liturgical action and engage the room with your eyes and prayer.

So, back to Linus. He walked out on that stage and boldly proclaimed the nativity story. He didn’t need his security blanket, but it was on stage with him. My challenge to you (and to myself), is to ditch the security blanket this year and get rid of the music stand. If your working situation requires you to have one, make a strong effort to spend more time looking over the top of it and less time staring into it. After all, we’re not worshiping the music stand, are we?

 

If you can’t take the heat, get out the humidifier…

We have had a warmer than usual December here in Atlanta, but word to the wise…If you play an acoustic instrument, your central heating system may be killing your instrument.

In winter months, the central heating system in your home can dramatically reduce the humidity and wreak havock on your acoustic guitar, piano, and other wooden instruments (even drums!). As the furnace in your home burns and circulates the air, it removes the natural humidity that exists in the house and your acoustic instruments need that humidity to maintain their tone and playability.

Don’t let your instruments dry out and incur the damage you’ll see demonstrated in the video’s below. Use dampits on your guitar, and damp chasers on your pianos. If you have a room where all your instruments live, try to make use out of an ordinary humidifier, and you’re shooting for 45% relative humidity in your room.

You spent a fortune on the best gear your money could buy. Take a few minutes each week to make sure you are protecting that investment! An ounce of prevention is worth a pound of cure…

Video #1 – Signs of a dry guitar…

Video #2 – How to correct the problem…

Video #3 – Finish the rescue…

 

 

Fire the Missals…

For Catholics in North America, this weekend (1st Sunday of Advent), welcomes the 3rd Edition of the Roman Missal after years of prayer, interpretation, and changes. It is now time to pray with the new responses, and sing the new parts.

People in your congregation are going to be looking to you and your pastoral team for assurance. I call this the “Flight Attendant” syndrome (When I fly through rough air, I always look at the flight attendants on my plane to see if they are nervous). When you begin playing your new (or revised) mass settings this weekend, do so with confidence. Lead the parts as if you’ve been singing them since 1974. In addition, I am using familiar hymns and songs this weekend to give the people at Holy Trinity a chance to really focus on the new parts.

Welcome 3rd Edition of the Roman Missal…we are delighted you are here. Lord Jesus, guide your Church through this transition. Maranatha!

New Roman Missal

10 Essentials To A Healthy Ministry Experience For Your Team…

10 Essentials to a healthy ministry experience for your team…

  • Say “Thank you” often. Most ministry teams are formed from people who give freely of their time to serve the Lord. Let them know how much you appreciate them. Say it…write it.
  • Have a plan. Having a written plan prepared a month at a time so your musicians and team can prepare at home and feel ready to walk in and give their best.
  • Be open to receive new people. One of the great obstacles in music ministry is to not become “clicky”. Be approachable, and do everything you can to encourage people to participate.
  • Show up on time. If you are leading a ministry team, you need to be present well ahead of your team. Show them you respect their time by being a good steward of your own time. You should be there first one there and the last one out.
  • Have charts. You need to prepare charts for your group in whatever format works for them. Some people need only a chord chart, some require lead sheets (chords and melody line), and others just need to know what key signature you plan to do a song in. Get them what they need to be effective. Check out great resources like Songselect from CCLI and Worshiptogether.com.
  • Delegate. Delegate parts to your group. Look for opportunities for someone in your group to lead a song. You should have an idea of their vocal range and then be able to select them for a particular style or range of song(s).
  • Coach. Be specific with your expectations of your team. If you need something specific from a musician, vocalist, or tech team member…use your words and let them know.
  • Communicate. You cannot communicate often enough, in any format. Use email, text, twitter, facebook, planning center, etc. Make sure your team knows what they need to know. They cannot read your mind. It’s a fact that you often need to say or write something several times for everyone to register it.
  • Encourage. Encourage them to sing. Praise often, and praise specific. Someone nail a part? Praise them for it. Someone obviously did some work on a piece at home? Acknowledge it. Team did an amazing job, tell them before they leave for the day. We all need affirmation. It takes one negative word to tear down, but several to build up.
  • Pray. If your team isn’t praying together, it’s not a ministry. The most important thing you can do as a team is to gather in prayer each week. Try different prayer experiences as a team. Break open the weekly scriptures before Mass. Offer intercessions for one another to pray for. Try a weekly challenge of having the entire team fast one morning for the intentions of the other team members, etc. Encourage different people to lead each week.

Writing the essentials could easily become an e-book. These are 10 simple suggestions to start with. Peace and blessings to you…

 

Let’s get out there…

This past weekend, I wrapped up my fall vacation time by spending both days with my family. We had two fantastic days together. On Saturday, my youngest son played in the regional 9u football superbowl. I flew back from the west coast early to make sure I was there for this big event. They took the lead and won the game with just 45 seconds left on the clock. I am so proud!

The other aspect of my vacation was that it allowed me the rare opportunity to attend mass at a neighboring parish. As a family, we decided to go visit St. Gabriel’s Catholic Church in Fayetteville GA. As we arrived in the narthex, we were greeted by one of the teens handing out songsheets. We quickly found a place to sit and prepared for mass. I was delighted to see my friend Amy Metzger, Director of Music, up at the front with the music ministry team. I knew from Facebook that she had also been traveling recently, so I wasn’t sure I’d have an opportunity to visit prior to arriving at mass.

I really appreciated the song selections, as there were familiar tunes and two pieces that I had never heard before. I always enjoy the opportunity to learn new pieces and have other ministry teams lead me in worship. The team did a great job presenting the material. Throughout the mass, I felt very welcomed to sing and participate.

Here’s my challenge to you…

Get out there and see what the churches in your area are doing. For many of us that minister in a Life Teen Mass, it can be challenging to visit another Life Teen mass at a neighboring parish as we all tend to have a mutual late afternoon mass time. Don’t let that stop you from visiting other parishes to checkout a morning liturgy, or even a vigil mass nearby.

In our faith lives, we experience, we learn, and we change…in that order. Think about how that formula applies to your faith journey. To continue growing as Christians and ministers, we need to constantly continue moving forward. Working inside “our box” can limit our sight and effectiveness. Get out there and meet some new people, expand your network of friends in the area, and keep growing. The Church is bigger than our home town parish. Thanks be to God!